Tag Archives: Denmark

eyeliner is not just for eyes

22 Feb

I know I promised you a juicy flog post all about my long weekend in Denmark, but…  The vodka and energy drink has erased my memory of most of it, and my camera had a nice relaxing holiday in Kastrup airport’s lost property office for the whole 5 days I was away, so there is no pictorial evidence either.

Apart from phone-photos.  And this is the type of photo I take on my phone.

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So today’s flog post is STORY TIME, from the What I’ve Learned archive.

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This, flogstars, is a photo of my free ticket to the Steel Panther concert.

Irene and I didn’t have regular tickets, because we’re fucking hustlers and also really disorganised and forgot to buy them in time.  So, humiliatingly, on the night of the concert we were stationed out the front of the venue, next to a bunch of strippers handing out flyers.  (The strippers were handing out flyers, we weren’t.)

We were begging people on their way in to the venue.  Irene and I were hoping people would have spare tickets to sell.  One person had one.  One.  So we bought it for 250DKK, then swiftly resold it for 300DKK because we are dirty dirty scalpers.

We wisely used that 50DKK profit to buy two mostly-empty beers (pictured) from a couple who had already been inside, and they also kindly threw in a look at their wrist-stamp too.  I scanned the stamp with my photo-laser eyes, took my eyeliner out of my purse and replicated it on our wrists.

Then we marched right on inside with our beers held high to signify that we had already been in, flashing our ‘stamps’, and quickly melted into the crowd.

we knew our place: up the back BEHIND all the paying-people, spending lots of money at the bar to atone

we knew our place: up the back BEHIND all the paying-people, spending lots of money at the bar to atone

Stealing from performing artists isn’t cool, kids, but the fact of the matter is that I am practically a shareholder in the Steel Panther franchise, having paid to see them live thrice and having bought five copies of their first album and 3 of their second album (I’m not even kidding – copies for each vehicle in my fleet plus gifts to friends).

So while I’m not suggesting that you start pirating about all over the place, that’s how to sneak in if you ever have the need.

Next in the What I’ve Learned series: How To Get Backstage.  Here’s a sneak preview.  Step one – have blonde hair and big boobs.  Step two – just go back there, seriously, there’s usually nothing or no one to stop you, and if you’re not screeching/being a dick/stealing their beer, they’ll usually let you stay.

You’re welcome.

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I hate to be a pain in the portfolio…

19 Feb

… but if, like me, you’re doing a shitload of TFP (time in exchange for pictures) shoots, you’ll be working with professional photographers, models and possibly stylists or other creatives, and at the end of the (long, hard day in the freezing rain) you all want the same thing – shit-hot photos for your portfolio.

Image

models: Ieva at Model Team and Lauren at Superior Model Management
makeup by me, photography by Bryce Powrie, threads by One For The Wall

All of us – the photographers, models and makeup artists – all need up-to-date pretty pictures to show off our mad skillz.  Which is why lots of us spend half our lives running around like blue-arsed flies on these TF photoshoots.

They’re great fun, and there’s something nice about a wee gang of you working together with the same vision, not for money but for the love.  Not to say we’re not all getting something out of it, but anyone doing anything for free is displaying some level of dedication, and that’s nice to be around.

All the pretty pictures for me are ending up in my portfolio, which is actually an official thing getting assessed at college next week.  With an interview and all.  We need a minimum of 8 photos from a minimum of 4 photoshoots.  I’ve done 6 photoshoots and pics from 5 of those are going in my portfolio.

I think if I didn’t have a clear idea of what I needed, and if I hadn’t been lucky in landing shoots with reasonably experienced and professional people, that number might not be so high.  As it is my final task for portfolio production is showing some uncharacteristic restraint and editing down my selection to best highlight my makeup work.

None of this putting photos in just because they’re cool and I like them.  Is it a photo that showcases my makeup work, or do I like the photo because the model’s hair looks swishy or because there’s a cute puppy or because the clothes they’re modelling look really good?  All wonderful things, and important components of a good photo… but FOCUS, IMOGEN!

example of a photo that doesn't reeeeeally do my makeup work much justice.  BUT PUPPY!   photo by Bryce Powrie, model Nicolas Garcia-Minaur, puppy not mine sadly

doing the no-makeup-look on a guy is harder than you think, but you’re not even looking at him are you.  This is an example of a photo that doesn’t reeeeeally do my makeup work much justice.
photo by Bryce Powrie, model Nicolas Garcia-Minaur, puppy not mine sadly

Which led to me Googling “how to have a not-shit portfolio” which took me all sorts of interesting places on the internet.  Here is one of the more useful things I read, copied and pasted because you’re more likely to read it if I do it like this, aren’t you.

Get Usable Image Files From A Test With These 6 Questions

A test shoot is a collaboration in which all parties involved should benefit from the pictures received. I don’t go in for contracts or think you should come across like a demanding diva when approached about a test shoot but you do need to discuss a few things with the photographer before the shoot so you can be sure what you receive later will be useful to you.

Here are some questions you should have answers to before any pictures are taken to insure that the image files you receive after the shoot are suitable for printing.

1. Can you get some close up shots of the makeup?
Always ask the photographer to get some close up shots of the makeup as part of the deal and remind them on the day that you need some head shots. A great beauty shot next to a full length image can look fantastic in your book and will show your skills as a makeup artist more clearly.

2. Can you start the day off with a really clean beauty look?
You should be focusing on clean beauty when you start building a portfolio so if you get roped into a test that doesn’t involve clean beauty see if you can do a quick beauty look at the start of the day which you can build on after to achieve something more adventurous. This way everyone should get something usable for their books right from the start and you get more looks out of a days shooting.

3. Will you get Hi-Res files?
Make sure the photographer is going to provide hi-res files so you can print nice sharp images for your book. Low-res files are only suitable for posting online so they don’t take too long to load.

4. Does the photographer have watermarks on all his/her images?
If the photographer you are working with uses watermarks on his/her images check that getting files without the watermarks won’t be a problem so you can print the images for your book.

5. How many images should you expect to receive?
Discuss how many images you should realistically expect to receive and whether these files will have been retouched. Unless you are shooting a big editorial story it is unlikely that you would really need more that 5 images from a shoot.

6. Will you have any input into the final picture selection? 
Often all parties involved are looking for something different for their books so it’s great if you all have some input into the final image selection. If you are given a choice of images think about the composition in your book so the images you pick go together on a double page.

If you are unsure about any of the following points discuss them with the photographer in an email. Emails are great as it gives everyone a record of whats been agreed on to refer back to.

I stole that from http://whattheprosdo.blogspot.co.uk/ – which sadly hasn’t been updated in nearly 5 years, but still has loads of really handy tips for the nascent makeup artiste.
It’s a UK based site however a lot of the stuff on there would be useful for anyone starting out – things like what to think about when putting together your website and business cards, what to carry with you (bottle of water and a banana because no one feeds you on photoshoots – so true, and the reason my makeup kit is a suitcase is really so it can fit all the muesli bars in it that I require for a half-day on the go).
So there you have it flogstars, a bit of practical know-how for ye.
Here’s Steel Panther with The Burden of Being Wonderful.  Watch it and next post I’ll tell you all about the weekend I’ve just had in Denmark partying at them.  Not with them.  At them.

what a week

22 Jul

I’m lying in bed with my laptop on my chest, full of cake and hangover, but smiling through the pain.  Thanks to my family and friends for indulging me, spoiling me, celebrating with me this weekend – feeling very loved and overwhelmed by everyone’s generosity.

So how does one turn 30, Imo-style?  Well.

I went down to Glasgow to scope out my new local area…

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… continued filming How I Killed Your Father with the delightful David Fernandez…

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… got the surprise of my life when Irene came over from Denmark to surprise me for my birthday…

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… celebrated the shit out of said birthday, by having a Tarantino co-party with other July baby Agapantha…

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can I just point out, the reason I look knackered is too-clever shading and contouring I did so I would look like I had been up all night taking cocaine with Vincent Vega. Not actually so hag-faced in real life, I swear.
Many thanks to resident pastry chef (and fellow Adelaide girl) Keva for the raspberry and white chocolate cheesecake – yummm.  Check out her blog here and I challenge you to NOT lick your computer screen.

 

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Colin as Stuntman Mike. Scar by me.

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Ian getting tatted up a la George Clooney in Dusk Til Dawn

… and ripped all my clothes off and jumped into Loch Lomond with Faye, because why not.

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This coming week I’m ordering all the kit to start my course next month, but even more exciting than bruise wheels and liquid latex is this – my adventure down to London with Chloe for the David Bowie Is exhibition at the V&A.  Giddy up!

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ain’t she just the best

So just this once I’ll deviate from the usual hair metal that only I give a shit about, and leave you with the great man himself.  A new version of this song is being used to advertise a mobile phone at the moment so here you go, get educated.

You can substitute the lyrics to be “blue, blue, electric blue, is the colour of my poo” if you like.

Until next time, be good.  Xx

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